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STGCC 2012 Impressions

Singapore’s Toy, Game & Comic Convention returns again for another fun year

07 September, 2012 by

Last weekend, the Supermerlion team visited yet another year of the Singapore Toy, Game & Comic Convention. Held this time at the Marina Bay Sands, STGCC 2012 saw a weekend full of pop-culture content and its creators coming down personally to meet fans in Singapore. Impressions inside.

Once again, we were glad to have been invited as a partner for this year’s event. The organizers have continued to fulfill their promise of an east meets west approach to the convention and possibly the most variety out of any local convention.

Marina Bay Sands Expo and Convention Center.

The most noticeable change to this year’s event is its shift to the Marina Bay Sands convention halls. While it might had been a necessary move, with the usual Suntec City venue being occupied by the Comex Fair, it turned out to be a welcome change that came with some advantages. The STGCC committee deserve an award for the smoothest convention each year and 2012 was no exception.

Main Stage where panels and performances were held throughout the day.

Thanks to the spread out booths, more than ample space and perhaps even Comex attracting all the unnecessary people, crowds at STGCC were never an issue, even with that many visitors. On the logistic side of things, all of the activity zones at STGCC were spread out evenly at the corners of the convention. Half of one hall was dedicated exclusively for the Main Stage talks. But since the entry ticket granted you access to everything, including all the performances and talks at the Main Stage, this allowed for it to be connected directly to the rest of the hall.

Hot Toys showing off their Batman collectible.

As seen in the new movie.

I know some visitors aren’t too thrilled that they weren’t able to catch every single thing at STGCC, since happenings occurred concurrently at the Main Stage, Walk of Fame and various other points throughout the halls. But well, that’s just how such fairs work (at least overseas) and ought to. When it come to conventions, more content is always better. It’s just up to visitors to select those which they most enjoy.

From the new Lego The Lord of the Rings sets.

Lots of distributors.

While last year’s convention packed many comic names, with key representatives from Marvel and DC Comics, this year’s STGCC seems to have focused most on the toy side of things. Hot Toys were back again, with an expanded array of their highly sought after figures on display, 3 of which were available for sale at STGCC itself. A team of their leading sculptors were also flown down from Korea to participate in panels.

Realistic models.

A closer look.

There was also wider attendance for collectible figure distributors and a great many local toy distributors selling there wares in the middle of the hall. Most notably, Play Imaginative was back again with probably the most impressive booth at the fair.

White side.

Dark (knight) side.

It featured a dual-sided theme, with its designer toys on the light side and exclusive Warner Brothers Batman figures being sold on the other side. The DEVILROBOTS gang were sandwiched in the center in a comfortable looking space, where they spent most of the day autographing and customizing their goods that people had picked up at the fair.

DEVILROBOTS inc busy at work.

Artists were featured more individually this year, with many holding their own booths all over the convention. This allowed them to interact directly with fans in a more personable manner and definitely easier on themselves too. The more popular artists like Itou Noizi still held their signing sessions away from the rest of the crowd, in long queues along the side of the hall at the “Walk of Fame”. Sadly, for some strange reason, we were bared from taking any photos of the autograph sessions here by the outsourced security.

Lots of different styles.

Marker Master Diko.

Another nice point was the increase amount of local and regional artists featured overall. Some in their own larger booths, and many others at the Artist Alley, which had grown since last year to accommodate more talents. It’s nice to see the greater representation of different art styles and mediums this year. In addition to comic artists, we were also introduced to various illustrators, designers and even performance artists.

Artist Alley.

Japanese crafter had flown down just to show some of works.

Leinil Yu Looking through a fan’s portfolio.

Singapore themed hero he had drew yesterday.

One thing that could see improvement was the game side of things. And while there was the usual mini-tournament held over the weekend, the only professional appearances were by Cherry Credits for their local Dragon Nest servers, a few local distributors and the design schools touting their courses.

It’s no surprise though, since any gaming interest at this side of Asia mostly revolves around free-to-play or arena styled “e-sports” games, and major gaming companies hardly find it worthwhile to involve themselves directly with Singapore due to the small audience.

Just a handful of games being demonstrated.

The Singapore Toy, Game & Comic Convention remains one of the most enjoyable fairs of its kind in Singapore each year, thanks to the variety of content available. For those with specific interests, it’s great to visit with an open mind and those drawn in by one form of media are able to gainexposure to other hobbies and crafts.

Husky Kevin.

By street art and advertising giant, Tristan Eaton.

While there didn’t seem to be as many experience zones this year (the Bushiroad and Tamiya workshops did not return) this was offset by the greater number of new products and talents using STGCC as a introductory point this year. There also seemed to be a positive focus toward professional interactions, which is great, since it will eventually determine the quality of guests for subsequent fairs. Definitely looking forward to next year’s STGCC.



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Chad

Supermerlion's Webmaster and Editor-in-Chief. Singaporean Nikkeijin with over 12 years of experience in the media industry. Producer at a Japanese entertainment company. Former Web Developer, Graphic Designer, Multimedia Programmer, Manager and Consultant. Shoots with a Canon 5Dmk2 and Sony RX100-2.
  • guardian tan

    this year’s stgcc was a big dissapointment for the comic fan compared to the 2010 edition. Then we had fraction, larocca, maleev, ribic, camuncolli etc. The marvel lineup was superb and true comic fans were speculating that the likes of romita jr, stan lee and bendis would be appearing the year after. If compared to the upcoming nycc, the lineup for stgcc has only 5% the star power so we know where REEDPOP’s focus lies. For 2 consecutive years they have brought in the same ol’ phillipino troupe(not to say thet aren’t talented) + 2 foreign writer/artists. If I am correct, this will be their formula to cut costs for the next few cons and this trend wll continue perpetually. If next year’s lineup comic lineup is as weak as this year’s again, many comic fans will give stgcc a miss until reedpop bucks up. Last year there were flashpoint and captain america convention exclusives, whatever happened this year? And what has happened to cebulski’s big discovery benjamin ang? IS HE A GHOST ARTIST FOR HOWARD CHAYKIN’S BLACK KISS? Not even a marvel cover from him after 2 years. No wonder CB does nor dare step foot in singapore this year